When I paint, I find it’s a lot like when I write a poem:  I’m constantly, stealthily trying to do what Ted Hughes describes so well in his piece “The Thought Fox”: 

I imagine this midnight moment’s forest:

Something else is alive

Beside the clock’s loneliness

And this blank page where my fingers move.

I am always endeavoring to turn off the analytical part for a bit, to enter the minds eye and rely on intuition or the subconscious: to become the thing doing it. 

I think this is why I always loved the art my son would bring home when he was little; everything (shape, space, color, etc.) just seemed to work organically. 

 There was no sophistication or side about it: just raw honesty, and beauty.  He didn’t know that much yet about how he should see the world, so it belonged more to him. It’s this primitive, wild naivety and looseness: the idea of a fox v. a more literal rendition - when things are all a bit “off” like a dream – that speaks most to me.

I’ve always loved children’s art and am often drawn to artists whose work is also a bit untamed. 

  • Archie, AKA The Deer Hunter

    103 x 84 cm

    Mixed media on canvas.

    Sold.

  • Swan Song

    84 x 103 cm

    Mixed media on canvas.

    Sold.

  • Sleeping Salukis I

    75 x 62 cm

    mixed media

    £680

  • Sleeping Salukis II

    75 62 cm

    mixed media

    £680

  • Wilderness

    mixed media

    60 x 75 cm

    £680

  • Mother and Baby Giraffe

    60 x 75 cm

    mixed media

    £680

The Artist's Statement

I work primarily with acrylics but like to experiment with different media and approaches. I work a lot too on newsprint: there is something compelling about its fragile, and fleeting, quality.  It reminds me of childhood art classes and the happy hours I would spend drawing, stretched out in the sun in front of our sliding glass door.  

I grew up in the creek and the woods, hand-feeding raccoons and collecting turtles.  I wanted to be a forest ranger, a writer and a painter.  Instead, I ended up - for a long time - in cities (Brussels, SF, London, etc.).  Now, I write, paint, and live in a neighborhood in downtown Asheville, NC where bears regularly wander through the front garden. I’ve always loved animals and feel lucky that they’ve found their way into my home (I have my own little rescues), my poems and somehow – after all these years - back into my paintings.  In an odd way, things have almost come full circle.

Animals wander into my work often - in packs, streaks, and dazzles – and for that I am grateful.

CV

I have a MA in Language, the Arts and Education from the University of Sussex and a BA in Comparative Literature (English, American and French) from the University of California, Santa Cruz.

I’ve published poetry in anthologies and literary journals including Poetry London, Mslexia, Magma, Stand, and Rattapallax. 

I’ve been shortlisted for the Bridport Prize twice.

Winter Exhibition 17th Nov 22 - 25th Feb 2023, Union Gallery, Edinburgh

All That Remains – Joint exhibition with Joyce Gunn Cairns MBE – 8 Sep - 1 Oct 2022, Union Gallery, Edinburgh

Winter Exhibition 6th Nov 2021 – Feb 2022, Union Gallery, Edinburgh

I’m over the moon to have work hanging at Lady Mache.